ICLT 331: WOMEN, TECHNOLOGY, AND ART
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December 11th, 2017

12/11/2017

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Girl Powered Technology and Art: An Exhibition

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December 04th, 2017

12/4/2017

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Exhibition Installation

Beat by Tanisha Pierre inspired by the role of heroism in Marjane Satrapi's Persepolis.
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November 15th, 2017

11/15/2017

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Digital Humanities

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Learning about the digital humanities with Dr. Lauren Klein, Assistant Professor in the School of Literature, Media, and Communication and Director of the Digital Humanities Lab at Georgia Institute of Technology. Klein and her students designed The Shape of History, which is visible in the image above.
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November 13th, 2017

11/13/2017

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Persepolis Infographics

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Working in small groups, make an infographic using Piktochart.com

Divide up the tasks among the group members. One group member can work on the design using Piktochart.com. Another two can mine the text to determine how best to present the information.

With ten minutes left in the class, email the finished product to the instructor, who will display them for the class.

​Group 1: The Passport
Group 2: The Dowry
Group 3: Kim Wilde
Group 4: The Return
Group 5: The End

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October 29th, 2017

10/29/2017

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Persepolis Snapchat

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What one frame do you think Marjane Satrapi's Persepolis would not be the same without? What would this frame look like in a different medium? 

Working in small groups, create a snapchat post combining text, images, and/or video that interprets at least one frame from Persepolis. 
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You can make a new account for today’s exercise.

​When you are finished, share your post with the instructor. 

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October 25th, 2017

10/25/2017

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Frankenstein's Legacy

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Learning about Frankenstein's legacy with Professor of English at NYIT, Dr. Kevin LaGrandeur and Emory University Ph.D. Candidate,  Amy Li.
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October 04th, 2017

10/4/2017

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Facebook Live with Dean Anid

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September 25th, 2017

9/25/2017

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Woolf Online: Time Passes

In Class: September 27, 2017

Today we will investigate Woolf's composition of the "Time Passes" section of To The Lighthouse using Woolf Online. How does the appearance of Woolf's drafts alter your sense of their contents?

​Working in pairs, select at least one quotation in the novel to consider in draft and in the final version. How do they differ? What do their differences teach us about Woolf's creative process? How does Woolf revise the portion you selected or this section of the novel in general?

You might consider selecting a quotation or moment related to the theme, word, or topic you are tracing through the novel. Collect your notes in a Google Doc and we will share our responses.
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September 19th, 2017

9/19/2017

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Leslie Stephen's Photograph Album

PictureVirginia Woolf's mother, Julia Stephen.
Virginia Woolf had her father’s photograph album with her while writing To the Lighthouse. This photograph album, now housed at Smith College, has been digitized and is available here. These images may have inspired Woolf's artistic choices. But elements of the creative process are also unknown to the author and readers can draw connections that only they can see.

Working in pairs, analyze one photograph alongside a quotation from
To the Lighthouse. How does the image shed light on passage you have selected and vice versa? You will share your findings with the class.

For further exploration, check out Jane de Gay's consideration of Leslie Stephen's Photograph Album in her book  Virginia Woolf's Novels and the Literary Past. 

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September 16th, 2017

9/16/2017

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  • Home
  • Syllabus Fall 2020
  • Discussion Board Posting Assignments
  • Analytical Essay
  • Script and Podcast or Video
  • In Class - Fall 2020
  • In Class - Fall 2019
  • In Class - Summer 2019
  • In Class - Fall 2018
  • In Class - Summer 2018
  • In Class - Fall 2017